Resume
Name Shashi Bharati
Date of Birth 10 May 1987
Education BFA 2008 , MFA 2010 , Indore Fine Art
College,Indore(MP) .
Exhibitions Annual Exhibition ,Indore Fine Art College 2005-10
Mystic Abstract ,Indian Habitat Centre
Palm Court Gallery ,New Delhi.
Mystic Variations,Visual Art Gallery, New Delhi- 2008
Twenty 20 ,Mystic Art Gallery,New Defance Collony,New
Delhi 2008
Get Together ,Alliance Francis ,Bhopal 2009
Arambh ,Devlalikar kala vithika ,Indore 2009
Sadang Devlalikar kala vithika ,Indore 2009
Neno Diayra Art gallery Hyderabad 2010
Canvases for change , stanless art gallery new Delhi 2011 india
One by one preetam lal dua ,Indore mp 2012 india
Solo exhibition
The waiting ,Passage art gallery, 22 khan market ,New
Delhi 2009
For@From/ Form Devlalikar kala vithika ,Indore 2010
Camps
Fusion 2005 Print making camp
National Art Festivel 2007 Kala Rang Kala Sang
Gwalior (MP
Spirit Of India 2007 Mumbai (Maharashtra)
STATEMENT
My work is my first love. That wants to
be in, and want to own. Each color is mine. And have in every color.
Mechanism in the sexual arts ,and am
still painting. Love and worship of his pictures, he looks as if the
priest's painter and am looking for. Cave-like worship is not
possible without God.
I am not without painting. My color is
my identity. I am made of colors, and my colors ,miens.
I am looking for mechanisms which is the basis of all tantrism is the worship of sakti and siva ,the female and male principle s. this worship can take the simple form of ceremonies to the village mothers, goddesses of such great antiquity that their origins are forgotten .their shrines may be no more than rough stones standing as they have for centuries, or the ceremonies can be lavish and elaborate ,taking place in the thousands years old temples, with incense and bells and mountains of flowers .
I am looking for mechanisms which is the basis of all tantrism is the worship of sakti and siva ,the female and male principle s. this worship can take the simple form of ceremonies to the village mothers, goddesses of such great antiquity that their origins are forgotten .their shrines may be no more than rough stones standing as they have for centuries, or the ceremonies can be lavish and elaborate ,taking place in the thousands years old temples, with incense and bells and mountains of flowers .
The universal outward symbol of this
sakti –siva worship is the holy “lingam” standing in the
sacred “yoni”. Without sakti there is no siva ,and no siva
without sakti. siva is the creative ,thespark, that aries out of the
all nothing ness of the primordial mother.
For the technique I have just few
words,
MY PAINTINGS ARE MY LOVE THEY ATTRACT
ME LIKE LOVED ONES AND TAKE ME INTO THEIR LAP. I FEEL LIKE I LOST MY
SELF IN MY CANVAS, SO HOW COULD I SAY ABOUT ITS COLOURS ,LINE S AND
TECHNIQUES. I CAN ONLY SAY –“ HERI MEIN TO PREM DEWANI MERA DARD
NA JANE KOI.”
"END and OVER" PAINTING
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